Ludi Megalenses MMDCCLXVII (2767) AUC (Nova Roma)/Deity Presentations

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One of the most intriguing figures in the religious life of the ancient Mediterranean world is the Phrygian Mother Goddess, known to the Greeks and Romans as Kybele and Magna Mater and the Mother of the Gods. The worship of this goddess spread throughout the Roman Empire. Originally Phrygian, she was a goddess of caverns, of the Earth in its primitive state; worshipped on mountain tops. She ruled over wild beasts, and was also a bee goddess. Her cult was particularly prominent in central Anatolia (modern Turkey), and spread from there through the Greek and Roman world. She was an enormously popular figure, attracting devotion from common people and potentates alike.
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The Roman State adopted and developed a particular form of her cult after the Sibylline oracle recommended her conscription as a key religious component in Rome's second war against Carthage. The goddess arrived in Rome in the form of Pessinos' black meteoric stone. As this cult object belonged to a Roman ally, the Kingdom of Pergamum, the Roman Senate sent ambassadors to seek the king's consent; en route, a consultation with the Greek oracle at Delphi confirmed that the goddess should be brought to Rome. Roman legend connects this voyage, or its end, to the matron Claudia Quinta, who was accused of inchastity but proved her innocence with a miraculous feat on behalf of the goddess. Publius Cornelius Scipio Nasica, supposedly the "best man" in Rome, was chosen to meet the goddess at Ostia; and Rome's most virtuous matrons (including Claudia Quinta) conducted her to the temple of Victoria, to await the completion of her temple on the Palatine Hill. Pessinos' stone was later used as the face of the goddess' statue. In due course, the famine ended and Hannibal was defeated. Roman mythographers reinvented her as a Trojan goddess, and thus an ancestral goddess of the Roman people by way of the Trojan prince Aeneas. With Rome's eventual hegemony over the Mediterranean world, Romanised forms of Cybele's cults spread throughout the Roman Empire. The meaning and morality of her cults and priesthoods were topics of debate and dispute in Greek and Roman literature, and remain so in modern scholarship.
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Augustan ideology identified Magna Mater with Imperial order and Rome's religious authority throughout the empire. Augustus claimed a Trojan ancestry through his adoption by Julius Caesar and the divine favour of Venus; in the iconography of Imperial cult, the empress Livia was Magna Mater's earthly equivalent, Rome's protector and symbolic "Great Mother"; the goddess is portrayed with Livia's face on cameos and statuary. On the cuirass of Augustus' Prima Porta statue, Magna Mater's tympanon lies at the feet of the goddess Tellus. By this time, Rome had absorbed the goddess's Greek and Phrygian homelands, and the Roman version of Cybele as Imperial Rome's protector was introduced there.
  
  

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Presentation on the goddess, Cybele or Magna Mater

One of the most intriguing figures in the religious life of the ancient Mediterranean world is the Phrygian Mother Goddess, known to the Greeks and Romans as Kybele and Magna Mater and the Mother of the Gods. The worship of this goddess spread throughout the Roman Empire. Originally Phrygian, she was a goddess of caverns, of the Earth in its primitive state; worshipped on mountain tops. She ruled over wild beasts, and was also a bee goddess. Her cult was particularly prominent in central Anatolia (modern Turkey), and spread from there through the Greek and Roman world. She was an enormously popular figure, attracting devotion from common people and potentates alike.


The Roman State adopted and developed a particular form of her cult after the Sibylline oracle recommended her conscription as a key religious component in Rome's second war against Carthage. The goddess arrived in Rome in the form of Pessinos' black meteoric stone. As this cult object belonged to a Roman ally, the Kingdom of Pergamum, the Roman Senate sent ambassadors to seek the king's consent; en route, a consultation with the Greek oracle at Delphi confirmed that the goddess should be brought to Rome. Roman legend connects this voyage, or its end, to the matron Claudia Quinta, who was accused of inchastity but proved her innocence with a miraculous feat on behalf of the goddess. Publius Cornelius Scipio Nasica, supposedly the "best man" in Rome, was chosen to meet the goddess at Ostia; and Rome's most virtuous matrons (including Claudia Quinta) conducted her to the temple of Victoria, to await the completion of her temple on the Palatine Hill. Pessinos' stone was later used as the face of the goddess' statue. In due course, the famine ended and Hannibal was defeated. Roman mythographers reinvented her as a Trojan goddess, and thus an ancestral goddess of the Roman people by way of the Trojan prince Aeneas. With Rome's eventual hegemony over the Mediterranean world, Romanised forms of Cybele's cults spread throughout the Roman Empire. The meaning and morality of her cults and priesthoods were topics of debate and dispute in Greek and Roman literature, and remain so in modern scholarship.


Augustan ideology identified Magna Mater with Imperial order and Rome's religious authority throughout the empire. Augustus claimed a Trojan ancestry through his adoption by Julius Caesar and the divine favour of Venus; in the iconography of Imperial cult, the empress Livia was Magna Mater's earthly equivalent, Rome's protector and symbolic "Great Mother"; the goddess is portrayed with Livia's face on cameos and statuary. On the cuirass of Augustus' Prima Porta statue, Magna Mater's tympanon lies at the feet of the goddess Tellus. By this time, Rome had absorbed the goddess's Greek and Phrygian homelands, and the Roman version of Cybele as Imperial Rome's protector was introduced there.


Presentation on the god, Iuppiter

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Presentation on the god, Apollo

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Presentation on the goddess, Minerva

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Presentation on the goddess, Fortuna

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Presentation on the goddess, Bellona

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Presentation on the goddess, Diana

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